Buscar
Mostrando ítems 1-10 de 280
Reception of films and the formation of social identities related to nationRecepción fílmica y la formación de identidades sociales vinculadas a la categoría nación
(Pontificia Universidad Católica del Perú, 2015)
The ratings of the Chilean Film Censorship Board in 1960-1973. A study on the changing film reception
(Fotocinema, España, 2020)
The goal of this text is to quantitatively describe the work of the Chilean Film Censorship Board between 1960 and 1973 (period framed by the validity of Decree n degrees 37 of 1959), based on the information of more than ...
Hoje tem cinema: a recepção de mostras itinerantes organizadas pelo Cineclube Lanterninha Aurélio
(Universidade do Vale do Rio do Sinos, 2009-03-04)
The general aim of this research was to investigate the process of receiving the itinerant film exhibitions organized by Lanterninha Aurélio film club and to understand the meanings, uses and appropriations that the audience ...
Audiences : defining and researching screen entertainment reception
That the audience is essential for film seems to have been understood for over a
century. One of the earliest and best known accounts of attending a picture show,
published by Maxim Gorky in 1896, spoke of visiting “the ...
The Star as Antihero: Ricardo Darín in Carancho
(Argus-a, 2014-07)
El objetivo de este artículo es analizar el film Carancho (2010, Pablo Trapero) teniendo en cuenta los rasgos codificados del cine negro, especialmente aquellos relacionados con la construcción del personaje protagónico y ...
The ratings of the Chilean Film Censorship Board in 1960-1973. A study on the changing film reception Las calificaciones del Consejo de Censura Cinematográfica de Chile entre 1960 y 1973. Un estudio sobre la cambiante recepción cinematográfica
(Universidad de Malaga, Departamento de Historia del Arte, 2020)
Revolutionary laughter: The aestheticopolitical meaning of Benjamin’s Chaplin
(Firenze University Press, 2019-11-13)
This paper discusses the aesthetic and political motivations of the great importance that Walter Benjamin gives to Charlie Chaplin in Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit (1935-1936). First, it ...
Hoje tem cinema: a recepção de mostras itinerantes organizadas pelo Cineclube Lanterninha Aurélio
(Universidade do Vale do Rio do Sinos, 2009-03-04)
The general aim of this research was to investigate the process of receiving the itinerant film exhibitions organized by Lanterninha Aurélio film club and to understand the meanings, uses and appropriations that the audience ...
Uma cartografia do filme brasileiro em Nova Iorque (2003 a 2016): uma análise crítica
(Universidade Federal de Santa MariaBrasilComunicaçãoUFSMPrograma de Pós-Graduação em ComunicaçãoCentro de Ciências Sociais e Humanas, 2017-10-10)
This dissertation reflects on the cartography of the Brazilian film in New York from 2003
to 2016, based on a mapping of the exhibiting circuit of Brazilian films in the period,
investigating the process of exhibition ...
Cine Holliúdy: percepções da audiência de um ode à cearensidadeCine Holliúdy: audience perceptions of an ode to cearensity
(Universidade Federal do Rio Grande do NorteBrasilUFRNBacharelado em Comunicação Social - Publicidade e PropagandaCentro de Ciências Humanas, Letras e Artes, 2022)