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A poesia como rasura em Carlfriedrich Claus e Ana Hatherly
(Universidade de São Paulo/Faculdade de Filosofia, Letras e Ciências Humanas/Programa de Pós-Graduação em Língua e Literatura Alemã, 2018-04-01)
Abstract Carlfriedrich Claus and Ana Hatherly visual works are outside what is conventionally named poetry. A poetry without words remains impossible for the defenders of writing as a logocentric practice. Therefore, the ...
Place of the real: poetry of the southern cone in the nineteen sixtiesEl lugar de lo real: la poesía del cono sur en los años sesenta
(Instituto de Lingüística y Literatura. Facultad de Filosofía y Humanidades. Universidad Austral de Chile, 2018)
Digital Latin American Poetry: Experimental Language in the Times of Bits
(University of Oklahoma, 2019-05)
The essay examines the role of literature in the digital age -the post-Proustian time of bits-, first by tracing out the history of the digital poem in Argentina and Brazil, and subsequently by discussing two contemporary ...
Andrés Anwandter: The continuous developmentAndrés Anwandter: la apertura continua
(Instituto de Lingüística y Literatura. Facultad de Filosofía y Humanidades. Universidad Austral de Chile, 2018)
Spoken Music in the Field of Spanish Experimental Music
This article explores the phenomenon of spoken music in the field of contemporary Spanish experimental music. Spoken music is a hybrid form of artistic expression which draws on several disciplines such as sound poetry, ...
Poesia digital: três leituras da Obra de Jason Nelson
(Universidade Federal do Rio Grande do NorteBRUFRNPrograma de Pós-Graduação em Estudos da MídiaComunicação midiática: práticas sociais e produção de sentido, 2013-05-23)
The development of digital technologies has opened up a new niche for artistic production. It began to emerge artworks that could only happen in the digital context. In this study, we investigated the syntax of defining ...
Zapping, Toma Directa Y Reciclaje: Percepción Y Memoria Televisiva En Banda Sonora, De Andrés Anwandter. Zapping, Live Recording And Recycling: Televised Perception And Memory In Andrés Anwandter´s Banda Sonora
(Univ. La Serena Departamento de Artes y Letras Facultad de Humanidades, 2011)
Paulo Leminski, from São Paulo Concretism to the Post-Haiku
(Latin American Cultures Stanford University, 2020-05)
In this essay, I examine part of the work of the Brazilian poet Paulo Leminski. From an analysis of his first poems, I define his differences from São Paulo?s concrete poets and demonstrate how Leminski developed a poetic ...