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The integration between singing and acting skills and creative autonomy as the basic requirements for a scenic credibility in the classical singer's performance
(Univ Federal Goias, 2018-01-01)
The article aims to point out that the singer's capability to integrate his/her singing and acting abilities and that the ability to perform his/her creative tasks in an autonomous manner are basic requirements for his/her ...
CREATIVITY IN ACTING: STRATEGIES FOR THE SEPARATION OF THE PERFORMER'S REAL IDENTITY FROM THE CONSTRUCT IN NIGERIA
(Universidade Federal do Rio Grande do Sul, 2017)
It is useless to refrain the wave: the need for Brecht and Stanislavski in the hybridity of the epic theatrical forms of the Brazilian scene
(2020-01-01)
This article proposes to observe the relationship between the legacy of Constantin Stanislavski and Bertolt Brecht in Brazil, from the 1950s to the present, demarking the influences of both in the transformation of acting ...
Processos da atuação cinematográfica: técnica, intuição e autodesenvolvimento
(Universidade Estadual Paulista (Unesp), 2021-11-30)
Esta pesquisa se inicia com a tentativa de entender o trabalho da atriz e suas especificidades nas linguagens do teatro e do cinema. Aponta a importância do trabalho das intérpretes para o processo criativo da obra ...
Los espacios de la poesía.The spaces of poetry.
(SABER ULA, 2007)
Corporal Mimesis: creative observation
(Universidade Federal do Rio Grande do Sul, 2021)
The new proposed circumstances of Fathers and sons in Sao Paulo the translation of Stanislavski's originary poetics in national context
(Univ Sao Paulo, Escola Comunicacoes & Artes, 2016-01-01)
For us to think about Stanislavski's legacy and his poetics of acting in national context, I propose a dialogue with the experience of the production of Fathers and Sons, directed by Adolf Shapiro in Sao Paulo. Inspired ...