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The tinku dance as “choreopolitical” action in street protests in Santiago de Chile
This article discusses the musical-choreographic phenomenon of the “tinku” within the context of recent social demonstrations in Santiago de Chile. My hypothesis is that the tinku, a folkloric dance of Bolivian origin, ...
An Audience’s Subjective Experience of the Freedom of Artistic Expression in Different Dance Forms from the Perspective of the Cultural Psychology of Creativity
Previous studies on different dance forms, including classical ballet, modern ballet and flamenco, show that the objective classification of these forms of dance is subjectively relevant, or in other words, the subjective ...
Writing for the Ballet in the Eighteenth Century
(Classiques Garnier, 2017-12)
This article studies the links between ballet, writing and power in the 18th century. It first focuses on the “dances in characters” – new scriptural objects, giving rise to a publishing phenomenon in the first half of ...
El rajaleña
(Universidad de Antioquia, Instituto Universitario de Educación Física y DeportesMedellín, Colombia, 2018)
Danzas colombianas de proyección folclórica
(Universidad de Antioquia, Instituto Universitario de Educación Física y DeportesMedellín, Colombia, 2018)
El joropo
(Universidad de Antioquia, Instituto Universitario de Educación Física y DeportesMedellín, Colombia, 2018)
El garabato
(Universidad de Antioquia, Instituto Universitario de Educación Física y DeportesMedellín, Colombia, 2019)
La cumbia
(Universidad de Antioquia, Instituto Universitario de Educación Física y DeportesMedellín, Colombia, 2018)