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Digital transformation in the distribution and exhibition channels of auteur cinema
(Springer Science and Business Media Deutschland GmbH, 2022-01-01)
Peruvian auteur cinema has faced problems of distribution and cinematographic exhibition in the windows of massive scope. Most of the exhibition windows have been monopolized by big Hollywood productions. Currently, the ...
Realist cinema as world cinema : non-cinema, intermedial passages, total cinema
This book is about films and filmmakers committed to reality. For them,
the world is not a mere construct or discourse, but made of people, animals,
plants and objects that physically exist, thrive, suffer and die. They ...
Cinéfilos y cineastas: de Cahiers du cinémaa la Nouvelle vague
(Universidad Nacional de Rosario. Facultad de Humanidades y Artes. Centro de Estudios de Teoría y Crítica Literaria, 2019)
Spanish Cinema 1973-2010: auteurism, politics, scenery and remembrance
While other scholars note the emphasis on Christian values in these films,
McGregor argues more pointedly that the morals they depict illustrate and reinforce
Catholicism in particular. The censorship efforts by the ...
Ação, logo, cinema: o engajamento político do movimento de cinema novo a partir de sua produção escrita e do filme "Garrincha, alegria do povo" (1963)
(Universidade Federal de Minas GeraisUFMG, 2012-10-05)
Cette thèse-ci analyse le mouvement Cinéma Nouveau et son rapport avec l'engagement politique dans les années 1960. Cela s´est fait en trois chapitres. La première partie donne un aperçu du mouvement, en le plaçant dans ...
No country for old auteurs
(2016)
Cinéfilos y cineastas: De Cahiers du cinéma a la Nouvelle vague
(Universidad Nacional de Rosario. Facultad de Humanidades y Artes. Centro de Estudios de Teoría y Crítica Literaria, 2019-09)
En los años cincuenta, la revista Cahiers du cinéma fue la escuela donde se formaron los jóvenes críticos que luego se convertirían en los cineastas de la Nouvelle vague: Truffaut, Godard, Rivette, Rohmer, Chabrol. Fieles ...
Adaptation as audiovisual recreation: the fragmentary and grotesque petronius of Fellini
(Univ Estadual Paulista Julio Mesquita Filho, Fac Arquitetura Artes & Comun, 2018-05-01)
The main purpose of this study is to analyze Federico Fellini's film adaptation of a classical work, the Satyricon of Petronius. In Fellini's Satyricon (1969), the adaptation was made in the prestigious context of the ...