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EM QUE SÉCULO, AFINAL, SE ENCONTRA O CORPO DO ATOR GAÚCHO?EM QUE SÉCULO, AFINAL, SE ENCONTRA O CORPO DO ATOR GAÚCHO?
(Universidade Federal do Rio Grande do Sul, 2009)
O TREINAMENTO E A VIA NEGATIVA NO STUDIO STANISLAVSKITHE TRAINING AND THE VIA NEGATIVA IN THE STANISLAVSKI STUDIO
(Universidade Federal do Rio Grande do Sul, 2016)
How do laryngeal and respiratory functions contribute to differentiate actors/actresses and untrained voices?
(Elsevier B.V., 2015-05-01)
Purpose. The present study aimed to compare actors/actresses's voices and vocally trained subjects through aerodynamic and electroglottographic (EGG) analyses. We hypothesized that glottal and breathing functions would ...
How Do Laryngeal and Respiratory Functions Contribute to Differentiate Actors/Actresses and Untrained Voices?
(2014)
Summary: Purpose. The present study aimed to compare actors/actresses’s voices and vocally trained subjects
through aerodynamic and electroglottographic (EGG) analyses. We hypothesized that glottal and breathing ...
O treinamento como processo de investigação do ator-criador
(Universidade Estadual Paulista (UNESP), 2014)
The Corporality and the Performative Power of the ActorLa corporeidad y el poder realizativo del actorLa Corporéité et le Pouvoir Réalisateur de l’Acteur
(Universidade Federal do Rio Grande do Sul, 2011)