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Green, yellow, and red pigments in South American painting, 1610-1780
(Taylor & Francis, 2002-10-01)
A multidisciplinary team of chemists and art historians from the University of Buenos Aires and the National Council of Scientific and Technological Research (CONICET) has examined the green, yellow, and red pigments used ...
Between Gloom, Shadows and Spots: Advances in the Symbolic and Material Characterization of Black Pigments in Andean Colonial Painting
(Universidad Nacional de Tres de Febrero, 2020)
CROSS IN STONE : selective appropriation, building and MOVEMENT OF CHRISTIAN ROCK ART IMAGE IN COLONIAL ANDINO
(UNIV CATOLICA NORTE, 2015)
The introduction of the image of the Latin cross as part of a process of conquest and colonization of indigenous imagery in the Andes is contextualized. The occurrence of a significant movement of the Latin cross is proposed ...
Revelando la iconografía prehispánica y europea de la tableta de metal del museo de La PlataRevealing the prehispanic and european iconography of the metal tray from La Plata museum
(Museo Chileno de Arte Precolombino, 2020-06)
Presentamos el análisis de la única tableta elaborada en metal hasta ahora conocida en el registro arqueológico Centro-Sur Andino (Museo de La Plata, Buenos Aires, Argentina) y reviste características peculiares en su ...
Identification and characterization of basic copper sulfates as mineral green pigments in Andean colonial mural paintings: Use of temperature-controlled stage for the study of thermal induced antlerite degradation
(John Wiley & Sons Ltd, 2021-08)
This work describes the characterization of green pigments in wall paintings from the Andean churches of San José de Soracachi and Santiago de Callapa in Bolivia, located on an ancient colonial commercial route known as ...
Virtuous colours for Mary. Identification of lapis lazuli, smalt and cochineal in the Andean colonial image of Our Lady of Copacabana (Bolivia)
(The Royal Society, 2016-12)
The image of Our Lady of Copacabana, a gilded polychrome sculpture carved in maguey wood in 1583, is one of the most important devotions in the Americas. In former research, we have identified the use of gypsum, Armenian ...
Exhibición: "Guaman Poma de Ayala. The Colonial Art of an Andean Author".
(Pontificia Universidad Católica del Perú. Fondo EditorialPE, 2018)
El arte del tapiz andino colonial. Técnica, iconografía, usos y tejedores
(Pontificia Universidad Católica del PerúPE, 2020)
El arte del tapiz andino colonial. Técnica, iconografía, usos y tejedores
(Pontificia Universidad Católica del PerúPE, 2020)
El arte del tapiz andino colonial. Técnica, iconografía, usos y tejedores
(Pontificia Universidad Católica del PerúPE, 2020)