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Cadence as a Metaphor of Instability and Conclusive Unity: A Brief Excursus Between Grammar and Music
(Assoc Nac Pesquisa & Pos-graduacao & Musica, 2019-09-01)
The structural development of what we understand as cadence has a long and complex history associated with an awareness and appreciation of musical elements assimilated by a decodification process that is related to adapted ...
Representação da morte feminina em L`Orfeo e Il Combattimento di Tancredi et Clorinda de Claudio Monteverdi
(Univ Federal Goias, 2012-01-01)
This paper refers to issues related to the harmonic language of Claudio Monteverdi, its harmonic procedures and resulting melodic movements, its use as a dramaturgical resource and its potential allegorical meanings, based ...
Representação da morte feminina em L`Orfeo e Il Combattimento di Tancredi et Clorinda de Claudio Monteverdi
(Univ Federal Goias, 2012-01-01)
This paper refers to issues related to the harmonic language of Claudio Monteverdi, its harmonic procedures and resulting melodic movements, its use as a dramaturgical resource and its potential allegorical meanings, based ...
The Principles of Counterpoint According to Andreas Omithoparchus in Musice active micrologus (1517): Tradition, Comments and Translation
(Assoc Nac Pesquisa & Pos-graduacao & Musica, 2018-09-01)
This study consists of the commented translation of the principles of counterpoint present in the fourth book of Musice active micrologus (1517) by Andreas Ornithoparchus. As a practical music treatise inserted in the ...
Representação da morte feminina em L`Orfeo e Il Combattimento di Tancredi et Clorinda de Claudio Monteverdi
(Univ Federal Goias, 2014)
Speculative music
(Revista Ensayos: Historia y teoría del arte, 2005)
Speculative music, or music theory with an esoteric base,has existed since ancient times in parallel with moremainstream aspects of music theory and musicology. Farfrom becoming extinct after the scientific revolution ofthe ...