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¿A quién temía Virgina Woolf?
(Universidad Veracruzana, 1985)
Orlando, de Virginia Woolf: desconstruindo as fronteiras de gênero
(Universidade Federal de Juiz de Fora (UFJF)BrasilFaculdade de LetrasPrograma de Pós-graduação em Letras: Estudos LiteráriosUFJF, 2017)
The democratic construction of gender in Virginia Woolf’s The Waves
(Universidad de Chile, 2009)
I will particularly examine the work of Virginia Woolf, the 20th century novelist and critic, principally because her work exposes a very rich and extensive evidence of her awareness of the dichotomy women/men, putting ...
Dolores and Peter´s memories: in The Hiding place (2000) by Trezza Azzopardi and Mrs Dalloway (1925) by Virginia Woolf
(2014-12-03)
Dolores and Peter´s Memories in The Hiding Place (2000) by Trezza Azzopardi and Mrs
Dalloway (1925) by Virginia Woolf inevitably leads to reflections on memory. When
considering the term “memory” one relates it to the ...
A propósito de quién le teme a Virginia Woolf
(Universidad Nacional del Nordeste. Facultad de Humanidades. Instituto de Letras, 2004-08-13)
¿Quién le teme a Virginia Woolf?, de Edward Albee, es una obra que recoge las resonancias más típicamente contemporáneas del teatro actual. Generalizando, podemos sintetizar las tendencias que privan en el teatro contemporáneo ...
O processo de revisão e reescrita em Melymbrosia e The voyage out, de Virginia Woolf
(Universidade Estadual Paulista (Unesp), 2008-02-18)
O presente trabalho focaliza o processo de composição de The Voyage Out (1915), o primeiro romance de Virginia Woolf. Este percurso demorado e conturbado caracteriza-se pelas várias interrupções geradas por crises emocionais ...
Virginia Woolf's diary keeping practice and the creative process of Mrs Dalloway (1925)
(Florianópolis, SC, 2019)
Fin de viaje: una novela de aprendizaje feminista o cómo se educa a la mujer para su ingreso a la sociedadThe Voyage Out: a Feminist Education Novel or How Women are Educated for their Entry into Society
(Facultad de Filosofía y Letras, Universidad de Buenos Aires, 2020)
Self, writing and feminine transactions in Virginia Woolf's Orlando and Clarice Lispector’s The stream of lifeSujeto, escritura y transacciones femeninas en Orlando, de Virginia Woolf, y Agua viva, de Clarice Lispector
(Universidad Nacional de Cuyo. Facultad de Filosofía y Letras. Instituto Literaturas Modernas, 2014)