Buscar
Mostrando ítems 11-20 de 133
Ser ou não ser (de santo)?: aspectos do campo religioso afro-brasileiro na peça teatral Balbina de Iansã, de Plínio Marcos
(2010)
To be or not to be (of candomblé)? – aspects of Afro-Brazilian religious field in the theater play Balbina de Iansã, by Plínio Marcos. In 1970, the playwright born in Santos-SP Plínio Marcos writes and directs the spectacle ...
Práticas corporais afro-brasileiras em uma realidade quilombola no Paraná: perspectivas de uma ação interventoraAfro-Brazilian body practice in quilombola reality in Paraná: perspectives from an interventional action.
(Universidade Estadual de MaringáBrasilPrograma de Pós-Graduação Associado em Educação Física - UEM/UELUEMMaringá, PRCentro de Ciências da Saúde, 2018)
A afro-brasilidade na música para canto e piano no Ciclo Beiramar, op. 21, de Marlos Nobre
(Universidade Federal de Minas GeraisUFMG, 2010-07-15)
This thesis consists of a study on afro-Brazilian chamber music, which focuses on the analysis of the piece Beiramar, Op. 21, by Marlos Nobre, composed in 1966 and inspired by black songs and beliefs from Bahia. We approach ...
Do disco à roda: a construção do pertencimento afrobrasileiro pela experiência na festa Negra Noite
(Universidade do Vale do Rio dos Sinos, 2014-04-04)
The present paper investigates the structure of the Afro identity through the experience in Black music parties. The thesis supports that the social interactions of the black community, held around collective consumption ...
Do disco à roda: a construção do pertencimento afrobrasileiro pela experiência na festa Negra Noite
(Universidade do Vale do Rio dos Sinos, 2014-04-04)
The present paper investigates the structure of the Afro identity through the experience in Black music parties. The thesis supports that the social interactions of the black community, held around collective consumption ...
PEDAGOGICAL PRACTICES: INTERTEXTAL DIALOGUE BETWEEN CULTURAL LANGUAGES AND THE TEACHING OF HISTORY AND AFRO-BRAZILIAN AND INDIGENOUS CULTURE
(Centro Univ Nove Julho, 2021-10-01)
According to Rusen (2010), new senses can lead to new representations in the historical context of past experience, which requires new techniques. This qualitative research was carried out in the city of Aracatuba, SP, ...
A interpretação de três cantos de Iemanjá para violoncelo e piano de Marlos Nobre através do olhar dos ritmos afro-brasileiros presentes na obra
(Universidade Federal do Rio Grande do NorteBrasilUFRNPROGRAMA DE PÓS-GRADUAÇÃO EM MÚSICA, 2020-12-28)
This research analyzes technical and interpretative aspects of the work “Três Cantos de
Iemanjá” for Cello and Piano by the brazilian composer Marlos Nobre (1939); in order to
contextualize the interpreter on aspects from ...
O gesto do arranjador na música popular
(Universidade Federal de Minas GeraisUFMG, 2017-12-01)
This work presents an analysis of the activity of the arrangers in the field of popular music, in order to verify the role of the arrangements as an important vector of language development within this universe. Based on ...