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"Oxí Morô”: um curta-metragem experimental de found footage
(Universidade Tecnológica Federal do ParanáCuritibaBrasilTecnologia em Design GráficoUTFPR, 2022-06-23)
This work reports the development of the short film “Oxí Morô”, created from techniques and tools raised during the research. As a theoretical background, theories of montage and cinema from the genres Experimental and ...
Entre Portas: construção cenográfica para filme curta-metragem
(Universidade Tecnológica Federal do ParanáCuritibaDepartamento Acadêmico de Desenho Industrial, 2013-04-10)
It presents the production design in cinema as a construction tool of cinematic storytelling, adding layers of meaning to the story, having the main element of creating the scenario. The set design has evolved along with ...
El arte del guión: Una conversación con José Carlos Huayhuaca
(Universidad de LimaPerú, 2005)
MariasMarias
([s.n.], 2010)
Deslocamentos tecnológicos e artísticos na prática dos microrroteiros da cidade
(Universidade Tecnológica Federal do ParanáCuritibaBrasilPrograma de Pós-Graduação em TecnologiaUTFPR, 2016-02-22)
This research proposes a reflection about how the technological dimension in the practice of Microrroteiros da Cidade constitutes a fundamental factor of its co-construction and mediation processes of circulation, dynamics ...
Álida : propuesta de construcción de un cortometraje de ficción
(Medellín, Colombia, 2021)
Unrepentant Euro-centrism in the movie Amazing Grace of Freedom
(Department of History, The University of the West Indies, St. Augustine Campus,Trinidad and Tobago, 2011-03)
In the year 2007, as part of the commemoration of the bicentennial anniversary of the British abolition of the trade in captured Africans, Michael Apted directed the movie Amazing Grace of Freedom. While the movie is a ...
Film Remakes as Ritual and Disguise : From Carmen to Ripley
The first book-length account of the symbolic chains that link remakes and explain their disguises, Film Remakes as Rituals and Disguise is also the first book to explore how and why these stories are told. Anat Zanger ...