masterThesis
Revista Mundo Estranho: capa e ressonância dialógica
Fecha
2017-06-22Registro en:
HOLANDA, Maria Fabiana Medeiros de. Revista Mundo Estranho: capa e ressonância dialógica. 2017. 118f. Dissertação (Mestrado em Estudos da Linguagem) - Centro de Ciências Humanas, Letras e Artes, Universidade Federal do Rio Grande do Norte, Natal, 2017.
Autor
Holanda, Maria Fabiana Medeiros de
Resumen
Researchers from the most diverse areas, not only Applied Linguistics, have focused their efforts in the sense of elucidating and amplifying the discussions about discursive genres, especially those of visual-verbal nature such as the case of magazines’ covers. This research has as its core objective, under the perspective of The Bakhtin Circle, analyze the covers of the Mundo Estranho magazine as a solid statement, to the end of perceiving the dialogical relationships between the verbal and the visual dimension. For theoretical-methodological purposes, the analysis occurs on four different covers related to the months of October (2015), March (2016), June (2016) and February (2017) to constitute the data generation. This research’s approach is of qualitative-interpretative basis, since its focus on particular questions on social reality that cannot be quantified, for they create an universe of possibilities, aspirations, values and attitudes. Hence why it analyzes the form in which those relationships establish themselves in the constitution of the statement, that are: image, publishing layout, headlines, colours, title and abstract of the main article, as well as the ideological motivations of the company related to the announced facts that are of utmost importance to understand the dialogical-evaluative relationships that, according to the theoretical foundation assumed on the research, intersects every and any project of the saying. As theoretical basis, it uses inter-related concepts, such as: ideological sign, solid statement, discursive genres, carnivalization and dialogical relationships by means of conceptions derived from The Bakhtin Circle, as well as its researchers as Brait (2014) and Faraco (2009). This research does not promote an end, but other possibilities of analysis of the visual-verbal language and the results point out that, in this genre, has its construction on the dialogical relationship between the verbal and visual dimension, inducing the reader to recover the discursive thread that binds them.