masterThesis
Pesquisadora de si: individuação e criação ritualística nas artes da cena
Fecha
2021-08-31Registro en:
VASCONCELOS, Bianca Adeltrudes de. Pesquisadora de si: individuação e criação ritualística nas artes da cena. 2021. 73f. Dissertação (Mestrado em Artes Cênicas) - Centro de Ciências Humanas, Letras e Artes, Universidade Federal do Rio Grande do Norte, Natal, 2021.
Autor
Vasconcelos, Bianca Adeltrudes de
Resumen
The research entitled Researcher of the Self: Individuation and Ritualistic
Creation in the Performing Arts walks through life and art, through ancestry and
culture, carried by the author. The main objective of this study is to verify how
research about oneself can contribute to the creative processes in the
performing arts. In the search for paths that lead to a ritualistic scene, the
creative artist weaves accounts of her own experiences (LARROSA, 2014) in
the field of arts, using as her main source of inspiration the ancestry lived in the
family setting. In this plot, the author sews real life, the processes of creation
and the individuation process (JUNG, 1991) bringing to light the crossings
caused on her life in a predominantly patriarchal universe. These accounts
allow a rescue of the feminine and promote the researcher's encounter with
herself in her body-house-memory that is supported by the mythology of the
Triple Goddess and her faces. In order to create a dialogue between doing and
thinking, the researcher weaves relationships with Ritual Theater
(HADERCHPEK, 2020), with the work Mulheres que Correm com os Lobos
(ÉSTES, 2014), and with A Jornada da Heroína (MURDOCK, 1990). From the
tensions arising from the encounter of the body with the current structures and
the everyday situations that make up being a woman, artist and teacher, a
continuous reflection of the researcher on her own being emerges. This
reflection allows the researcher to understand the plots that make up her life
and evidence the dialogue with the collective and the practices that go through her.