Tese
O lugar do ouvinte nas narrativas radiofônicas: concessão de voz e critérios de acionamento dos ouvintes-enunciadores
Fecha
2018-01-04Autor
Quadros, Mirian Redin de
Institución
Resumen
The central theme developed in this thesis is the listener's participation in radio journalistic
narratives. The main objective of the investigation was to identify, through the analysis of a
media product, the criteria and circumstances responsible for influencing the activation and
the voice concession to the listeners-enunciators in the configuration of radio journalistic
narratives transmitted in real time. For this, the thesis is anchored theoretically and
methodologically in Narrative Studies, specifically in Critical Narrative Analysis, a method
proposed by Motta (2013b). From this perspective, the work discusses the understanding of
journalism as a narrative of the present time and the characteristics of radio narratives,
according to their specificities. Empirically, the thesis analyzes five radio narratives with
distinct themes, configured in the program Gaúcha Atualidade, belonging to the programming
grid of the Porto Alegre radio station Gaúcha, and transmitted between July and September
2016. In a first step, the analysis compared the set of voices activated in the configuration of
the narratives, emphasizing quantitatively and qualitatively the interventions of the audience.
Next, the narrative sequences in which contributions sent by listeners were identified were
individually examined and classified according to the attributes of the listeners-enunciators,
the messages and the value effects generated. The systematization of the results led to the
identification of seven main criteria, responsible for activating and giving voice to listeners: a)
the type of event narrated; b) the actuality and immediacy of the messages sent by the
audience; c) the saturation of messages with similar content; d) the testimony and credibility
of the information sent by the listener; e) the geographical location of the listener; f) the
qualification of the listener-enunciator; and, g) the adequacy and reinforcement of the
dramatic project assumed in the narrative. The thesis concludes that the activation and the
voice concession to the listeners, besides being controlled by the vehicle and its professionals,
are also instrumental, so that they fulfill certain purposes within the framework (dramatic
project) proposed for each narrative. In an extended way, the research reflects on the
relevance, from the journalistic point of view, of the opening of space for the synchronous
participation of the listener in the radio narrations, considering that this participation can be
understood as a technique of enunciation peculiar to the radio narratives, employed with
different objectives, but guided by the intention to involve the audience, producing effects of
proximity and belonging that, in turn, lead to the fidelity of the audience and the consequent
economic viability of the vehicle.