masterThesis
Concierto con ensamble de percusión. La versatilidad de los instrumentos de percusión sinfónica en la interpretación de géneros musicales, rock y concierto sinfónico
Fecha
2016-09-27Autor
Vallejo Yépez, Cristian Esteban
Institución
Resumen
The different families of musical instruments have several characteristics in sound timbre
, color, dynamic, musical performance among others. On this occasion it has been
necessary to use various percussion instruments idiófonos as membranophones in
forming an assembly with a view to the interpretation of a concert. When working on the
adaptation of mainstream symphonic percussion instruments in interpreting rock, new
sounds and orchestral resources in these instruments is sought . Here , we demonstrate
the similarity in the work of both the concert timpani as in the works of rock, since in
both cases it seeks to use new sounds in the percussion expanding the music it performs
in symphonic percussion, as well as the opportunity to show that genres are variable and
malleable in their music in general parameters.
The research sought to investigate priority basis the most important aspects of each of the
works selected for this descriptive analysis techniques gave a profitable way that allowed
to build the theme in the search for the definition of basic elements, general superfluous,
malleable and forced. It is necessary to indicate that the work of the composer Ney
Rosauro, Concerto for Timpani and Wind Orchestra, is one of the operational and
teaching for the realization of this work matrices therefore Rosauro successfully
manufactured a musical hybrid where the versatility of the timbales symphonic were
shown on participation as an instrument melodic, rhythmic soloist in a concert with
orchestra. The second stage was to make arrangements selected topics for percussion
ensemble, the same that were displayed for a concert performance. At this stage it was
broken in a timely manner the multiple compositional, technical and artistic aspects
considered to mold making has to be changed to enrich the new sound proposals on the
following topics:
You Shook Me All Night Long 1980, ACDC; Livin’ on a Prayer 1986, Bon Jovi;
Tom Sawyer 1981, Rush; Eye Of The Tiger 1982, Survivor; The Final Countdown
1986, Europe; Master of Puppets 1986, Metallica.