dc.creatorJezulino Lúcio Mendes Braga
dc.date.accessioned2021-08-06T23:57:23Z
dc.date.accessioned2022-10-03T23:27:14Z
dc.date.available2021-08-06T23:57:23Z
dc.date.available2022-10-03T23:27:14Z
dc.date.created2021-08-06T23:57:23Z
dc.date.issued2020
dc.identifierhttps://doi.org/10.22478/ufpb.2317-6725.2020v25n42.51996
dc.identifier2317-6725
dc.identifierhttp://hdl.handle.net/1843/37342
dc.identifierhttp://orcid.org/0000-0002-7014-2931
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3822828
dc.description.abstractThe following text analyzes part of the documentation from the Gold Museum (Sabará – Minas Gerais) in order to investigate how the formation of the exposed collection took place. In the process of revealing the connection between memory and forgetfulness present in the expositions I emphasize the historical museum from its antiquarian tradition and claim that the musealized material culture is a powerful tool for history teaching. The teachers have at their disposal a diverse range of objects, images and sceneries which are richly structured and could be related to the school’s curriculum by proposing questions about history and memory during the mining period. The musealized material culture opens up the possibility of a sensitive experience in a learning process related to significant social issues.
dc.publisherUniversidade Federal de Minas Gerais
dc.publisherBrasil
dc.publisherECI - DEPARTAMENTO DE ORGANIZAÇÃO E TRATAMENTO DA INFORMAÇÃO
dc.publisherUFMG
dc.relationSaeculum - Revista de História
dc.rightshttp://creativecommons.org/licenses/by-nc-nd/3.0/pt/
dc.rightsAcesso Aberto
dc.subjectMuseu
dc.subjectEnsino de História
dc.subjectCultura Material
dc.titleObjetos nos museus e ensino de história
dc.typeArtigo de Periódico


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