Poetry and technique: Concrete Poetry in Brazil

dc.creatorFranchetti, P
dc.date2008
dc.date2014-11-16T16:07:02Z
dc.date2015-11-26T17:25:38Z
dc.date2014-11-16T16:07:02Z
dc.date2015-11-26T17:25:38Z
dc.date.accessioned2018-03-29T00:12:51Z
dc.date.available2018-03-29T00:12:51Z
dc.identifierPortuguese Studies. Maney Publishing, v. 24, n. 1, n. 56, n. +, 2008.
dc.identifier0267-5315
dc.identifierWOS:000254794900005
dc.identifierhttp://www.repositorio.unicamp.br/jspui/handle/REPOSIP/70586
dc.identifierhttp://www.repositorio.unicamp.br/handle/REPOSIP/70586
dc.identifierhttp://repositorio.unicamp.br/jspui/handle/REPOSIP/70586
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/1284359
dc.descriptionDrawing on the writings of leading participants such as Joao Cabral de Melo Neto, this article examines the emergence of Concrete Poetry in postwar Brazil. Although literacy was then rapidly increasing, the status of poetry was challenged by the new media, such as film, that drew mass audiences. Responding to this challenge, Concrete Poetry did not retreat into a Classical revival, but aimed at a style of verse rooted in the realities of modern technology, and capable of being popular. It thus claimed to be true not only to its time, but also to its literary heritage - a heritage that was in fact validated rather than betrayed by its modernity.
dc.descriptionO TEXTO COMPLETO DESTE ARTIGO, ESTARÁ DISPONÍVEL À PARTIR DE AGOSTO DE 2016.
dc.description24
dc.description1
dc.description56
dc.description+
dc.languageen
dc.publisherManey Publishing
dc.publisherLeeds
dc.publisherInglaterra
dc.relationPortuguese Studies
dc.relationPortuguese Stud.
dc.rightsembargo
dc.sourceWeb of Science
dc.subjectconcrete poetry
dc.subjectBrazil
dc.subjectmass media
dc.titlePoetry and technique: Concrete Poetry in Brazil
dc.typeArtículos de revistas


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