Buscar
Mostrando ítems 1-9 de 9
The electroacoustic music in the school: outlining perspectives under the sociocultural approach of musical education
(Univ Federal Goias, 2017-01-01)
This article presents the sociocultural perspective of music education as an important instrument for the analysis of music in school culture. It focuses on the discussion about aspects of this theoretical approach applied ...
The interpretation of electroacoustic music: technical aspects
(Programa Pos-graduacao Musica-ppgm, 2020-10-01)
This article aims to discuss the role of the electroacoustic music interpreter from a technical point of view, listing and qualifying the instruments necessary for the capture, treatment and diffusion of sound objects. For ...
A Inversão das distâncias: do som do corpo ao corpo do som
(Univ Federal Goias, 2014-01-01)
This essay deals with the relationship between the body of the composer and his sounds, approaching - by a philosophical point of view - the process of objectivation of sound along the history of musical writing (escritura ...
Radio and the emergence of Electroacoustic Music in Europe and in Brazil
(Univ Estadual Parana, Escola Musica & Belas Artes Parana, 2016-09-01)
This article made a historical retrospective about the beginning of the electroacoustic music and its changes towards the listener's reception from that time. To do that, it was aimed to establish a comparison between its ...
Implicación y espacialidad en la música electroacústica: el análisis implicativo en la música no basada en la práctica comúnImplication and spatial quality in electroacoustic music: implicative analysis in the music not based in common practise
(Universidad Católica Argentina. Facultad de Artes y Ciencias Musicales. Instituto de Investigación Musicológica Carlos Vega, 2020)
Resumen:
Leonard Meyer (Meyer, 1956) postula que el significado de la Música no se asocia con
la referencia a entidades extra-musicales, sino con el juego de tensiones y distensiones
que la misma música produce a través ...
De objetos sonoros y locos navegantes : a propósito de Bosco: jardín al compás del deseo de Pablo Cetta
(Universidad Católica Argentina. Facultad de Artes y Ciencias Musicales. Instituto de Investigación Musicológica Carlos VegaEDUCA, 2015)
Resumen: Este trabajo intenta trazar un camino posible de relación entre música y pintura, a partir de dos movimientos distintos. En primer lugar, seguiremos la metáfora especular: dos artes se encuentran cuando se reflejan ...
A interpretação da música eletroacústica: aspectos técnicos
(UNIRIO, 2020-10)
O presente artigo tem por objetivo discutir o papel do intérprete de música eletroacústica sob o ponto de vista técnico, elencando e qualificando os instrumentos necessários para a captação, o tratamento e a difusão de ...
Aleatorismo y paisaje sonoro sintético
(SABER-ULAVenezuela, 2014)