La dicotomía animal / humano en Canto villano (1978) de Blanca Varela

dc.contributorFernández Cozman, Camilo Rubén
dc.creatorFernández Cozman, Camilo Rubén
dc.date.accessioned2024-01-11T15:51:01Z
dc.date.accessioned2024-05-08T13:03:09Z
dc.date.available2024-01-11T15:51:01Z
dc.date.available2024-05-08T13:03:09Z
dc.date.created2024-01-11T15:51:01Z
dc.date.issued2021
dc.identifierFernández-Cozman, C. R. (2021). La dicotomía animal / humano en Canto villano (1978) de Blanca Varela. Romanica Cracoviensia, 21(4), 261-270. https://doi.org/10.4467/20843917RC.21.026.14428
dc.identifier1732-8705
dc.identifierhttps://hdl.handle.net/20.500.12724/19597
dc.identifierRomanica Cracoviensia
dc.identifierhttps://doi.org/10.4467/20843917RC.21.026.14428
dc.identifier2-s2.0-85123071505
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/9355453
dc.description.abstractThe article analyzes the work of Blanca Varela, the most important Peruvian poet of all time. She highlights the dichotomy between animal and human in her collection of poems Canto villano. The paper is based, above all, on the proposal of Giorgio Agamben, who questions the opposition between animal and human to suggest that there is a continuity between both living beings. Likewise, the concept of anthropology machine is used for the analysis of Blanca Varela’s poetry.
dc.languagespa
dc.publisherKomitet Slowianoznawstwa PAN
dc.publisherPL
dc.relationurn:issn: 1732-8705
dc.rightshttps://creativecommons.org/licenses/by/4.0/
dc.rightsinfo:eu-repo/semantics/openAccess
dc.sourceRepositorio Institucional - Ulima
dc.sourceUniversidad de Lima
dc.subjectVarela, Blanca, 1926-2009
dc.subjectPoetisas peruanas
dc.subjectPoesía peruana
dc.subjectAnálisis del discurso
dc.subjectPeruvian poets
dc.subjectPeruvian poetry
dc.subjectDiscourse analysis
dc.titleLa dicotomía animal / humano en Canto villano (1978) de Blanca Varela
dc.typeinfo:eu-repo/semantics/article


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