Murilo Mendes, Francis Ponge e o poema em prosa

dc.contributorUniversidade Estadual Paulista (UNESP)
dc.creatorAntonio, Patricia Aparecida
dc.date2015-03-18T15:56:46Z
dc.date2016-10-25T20:35:59Z
dc.date2015-03-18T15:56:46Z
dc.date2016-10-25T20:35:59Z
dc.date2012-07-01
dc.date.accessioned2017-04-06T07:20:22Z
dc.date.available2017-04-06T07:20:22Z
dc.identifierRevista De Letras. Araraquara: Univ Estadual Paulista-unesp, v. 52, n. 2, p. 113-132, 2012.
dc.identifier0101-3505
dc.identifierhttp://hdl.handle.net/11449/117691
dc.identifierhttp://acervodigital.unesp.br/handle/11449/117691
dc.identifierWOS:000208994000007
dc.identifierWOS000208994000007.pdf
dc.identifierhttp://seer.fclar.unesp.br/letras/article/view/5477
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/928338
dc.descriptionThe present paper aims to discuss the configuration of the prose poem both in the works of Murilo Mendes' Poliedro (1972) and Francis Ponge's Le parti pris des choses (1942). From the beginning, the similarity between both works is explained by the impulse of focusing on daily objects and also the diverse positioning of the lyrical subjects in Murilo Mendes (less objective) and Francis Ponge (more objective) when they establish a relation with the simple things they wish to marvel. In accordance, the form of the prose poem helps to build this specific and singular view of the objects. Using this background to dialogue with the critical scholarly resources on both writers, we briefly analyse some poems and set out to reflect on the prose poem, which holds the works of the Brazilian and the French poets open to comparison.
dc.languagepor
dc.publisherUniv Estadual Paulista-unesp
dc.relationRevista De Letras
dc.rightsinfo:eu-repo/semantics/openAccess
dc.subjectLyric poetry
dc.subjectProse poem
dc.subjectMurilo Mendes
dc.subjectFrancis Ponge
dc.subjectThing
dc.titleMurilo Mendes, Francis Ponge e o poema em prosa
dc.typeOtro


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