Cyvers city: poetry and practice

dc.creatorSulic, Susana .
dc.date2015-10-13 00:00:00
dc.date2015-10-13 00:00:00
dc.date2015-10-13
dc.date.accessioned2023-09-06T18:29:34Z
dc.date.available2023-09-06T18:29:34Z
dc.identifier1794-7111
dc.identifierhttps://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/464
dc.identifier2462-8115
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/8698199
dc.descriptionEl presente artículo justamente reflexiona en torno a la obra denominada Cyvers City, cuya intención por combinar la poïesis con la técnica, la ubica en los ámbitos de las profundas preguntas que se han hecho en la estética occidental desde la misma separación que los artistas realizaran de la producción artesanal. La vinculación con la ciencia que ha perseguido el arte desde el Renacimiento, encuentra en proyectos como Cyvers uno de los caminos, que propuestos desde la autora, propenden por transformar nuestra percepción e idea del mundo.
dc.descriptionAbstract: This article reflects on the work called Cyvers City whose intention to combine pioesis with technique, locates it in the area of deep questions that have been asked in the western aesthetics from the separation artists made of handcrafted production. The connection with science that art has been pursuing since the Renaissance finds in projects such as Cyvers one of the ways that, proposed from the author, tend for the transformation of our perception and idea of the world.
dc.formatapplication/pdf
dc.languageeng
dc.publisheruniversidad de Caldas
dc.relation99
dc.relation8
dc.relation89
dc.relation9
dc.relationKepes
dc.relationReferences and Notes Notes In Latin America, is accepted that science education belongs to modernism as part of the emergence of the nations since the XIX century. The Cyvers concept is a consequence of a work in progress unifying physics and biological concepts, that was part of my early studies, poetry and research. “I. A.” It is a collective, created to introduce a new concept concerning the intervention of technology and the role of artist related to advanced technological proceeded and engineering created in the early eighties by the author. Pierre Restany launched part of this production it in 1992 as he Language of energy. References Sulic, Susana. (1997). Clonage Formel. En: L’image dans tous ses états. Paris: John Libbey, Institut Cochin de Génétique Moléculaire. ________. (2004). Science et Technologie dans l’Art Contemporain en Argentina. Paris: L’Harmattan. ________. (2012). Auto-Bio hiper graphica. Udine: Campanotto Editore.
dc.relationNúm. 8 , Año 2012 : Enero - Diciembre 2012
dc.relationhttps://revistasojs.ucaldas.edu.co/index.php/kepes/article/download/464/389
dc.rightsDerechos de autor 2015 Revista Kepes
dc.rightshttps://creativecommons.org/licenses/by/4.0/
dc.rightsinfo:eu-repo/semantics/openAccess
dc.rightshttp://purl.org/coar/access_right/c_abf2
dc.sourcehttps://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/464
dc.subjectCybernetics
dc.subjectpoetics
dc.subjectnetworks
dc.subjecttechnique
dc.subjectCibernética
dc.subjectpoética
dc.subjectredes
dc.subjecttécnica
dc.titleCyvers city: poetry and practice
dc.titleCyvers city: poetry and practice
dc.typeArtículo de revista
dc.typeSección Artículos
dc.typeJournal Article
dc.typehttp://purl.org/coar/resource_type/c_6501
dc.typeText
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typehttp://purl.org/coar/version/c_970fb48d4fbd8a85


Este ítem pertenece a la siguiente institución