dc.contributor | 0000-0002-1486-1333 | |
dc.contributor | https://scholar.google.com/citations?user=hcMOTFcAAAAJ&hl=es | |
dc.contributor | https://scienti.minciencias.gov.co/cvlac/visualizador/generarCurriculoCv.do?cod_rh=0000096336 | |
dc.contributor | https://scienti.minciencias.gov.co/gruplac/jsp/visualiza/visualizagr.jsp?nro=00000000015735 | |
dc.creator | Hernández, Jeice | |
dc.date.accessioned | 2023-06-30T21:11:10Z | |
dc.date.accessioned | 2023-09-06T12:36:41Z | |
dc.date.available | 2023-06-30T21:11:10Z | |
dc.date.available | 2023-09-06T12:36:41Z | |
dc.date.created | 2023-06-30T21:11:10Z | |
dc.date.issued | 2023-05-25 | |
dc.identifier | http://hdl.handle.net/11634/50955 | |
dc.identifier.uri | https://repositorioslatinoamericanos.uchile.cl/handle/2250/8679449 | |
dc.description.abstract | Color has been covered from many perspectives throughout history, however, there are few studies that focus on its qualities for creation. From this perspective, this study takes the graphic characteristics of color to establish how they can be used effectively. more suitable for creative proposals, managing to enhance your message from color. For this, color is considered as a sign, its relationship with the intertext, its role as a plastic sign in the image and its active capacity within it. Several images analyzes were taken into account, as well as different texts that
approach color from different perspectives, thus achieving a holistic and critical look from the graphics for the creation of images. Finally, the existence of the transversality of color is proposed where its plastic and semic qualities converge for the creation of new ideas. | |
dc.relation | Ball, P. (2004). La invención del color. Turner-Fondo de Cultura Económica. | |
dc.relation | Gómez García, D.P. (2021). Sustainable Latin American Aesthetics. In: Gardetti, M.Á., LariosFrancia, R.P. (eds) Sustainable Fashion and Textiles in Latin America. Textile Science and Clothing Technology. Springer, Singapore. https://doi.org/10.1007/978-981-16-1850-5_7 | |
dc.relation | Heller, E, (2000). Psicología del color. Cómo actúan los colores sobre los sentimientos y la razón. Gustavo Gili. | |
dc.relation | Hernandez, J, Rojas, R (2022) GALERÍA VIRTUAL CUVO Estrategia de difusión del conocimiento. En Jeice Hernandez y Cynthia Hurtado. Cultura Visual Digital (p.161). Universidad de Guadalajara – Universitaria virtual digital. ISBN. 978-607-57184-1-5 MX ISBN 978-628-95472-0-7 | |
dc.relation | Hernández, J. (2020). La transversalidad del color y su papel comunicador en las imágenes visuales, de la literatura a la imagen actual del cuento clásico Blancanieves. Revista KEPES, 17 (21), 171-194 DOI:10.17151 | |
dc.relation | Hernández, J., Torres Ardila, D., & Camargo, E. (2020a). Digital era in times of pandemic: education, color, knowledge and communication. Utopía y Praxis Latinoamericana, 216-230. | |
dc.relation | Hernández Contreras, J. D. (2019, September). La transversalidad del color. In IV Congreso Internacional de investigación en artes visuales: ANIAV 2019 Imagen [N] visible (pp. 379-383). Editorial Universitat Politècnica de València. | |
dc.relation | Hernández, J. (2020b) El reto de la cuarta revolución industrial en Colombia: Datos, Diseño y Artes. Colombia, 4, 153 | |
dc.relation | López, Agudelo, Hernandez (2022). El fin de la educación en diseño de modas. En Capitulo 8 Estudios de la moda en Colombia (pag 260) - Editoriales Jorge Tadeo Lozano/Universidad Santo tomás. ISBN IMPRESO: 978-958-725-326-9 | |
dc.rights | http://creativecommons.org/licenses/by-nc-nd/2.5/co/ | |
dc.rights | http://purl.org/coar/access_right/c_abf2 | |
dc.rights | Atribución-NoComercial-SinDerivadas 2.5 Colombia | |
dc.title | Características graficas del color en la elaboración de propuestas creativas. | |