| dc.creator | Uribe Sarmiento, John Jairo | |
| dc.date | 2019-05-23T14:29:27Z | |
| dc.date | 2019-05-23T14:29:27Z | |
| dc.date | 2019-04-03 | |
| dc.date.accessioned | 2023-08-31T19:03:05Z | |
| dc.date.available | 2023-08-31T19:03:05Z | |
| dc.identifier | John Jairo Uribe Sarmiento (April 3rd 2019). Between Rebellion and the Spectacle: Analysis of the Songs of the Hip-Hoppers of Bogot?, Advances in Discourse Analysis, Lavinia Suciu, IntechOpen | |
| dc.identifier | 978-1-78985-758-0 | |
| dc.identifier | https://www.intechopen.com/books/advances-in-discourse-analysis/between-rebellion-and-the-spectacle-analysis-of-the-songs-of-the-hip-hoppers-of-bogot- | |
| dc.identifier.uri | https://repositorioslatinoamericanos.uchile.cl/handle/2250/8554943 | |
| dc.description | This chapter analyzes the lyrics of the songs of hip-hoppers from Bogot?. Such analysis privileges the way such songs are staged, as well as the tensions that emerge between their proposal of social mobilization and the show. In effect, the spectacle is constituted at the same time, in a tool of mobilization, as in an obstacle that deactivates the hip-hoppers? discourse. There are three key narrative axes: the presentation of street life; the critique of social order; and the memory of hip-hop itself in Bogot?. Through these narrative strategies, young people build a representation of themselves, their reality, and their work. | |
| dc.language | en | |
| dc.publisher | Advances in Discourse Analysis | |
| dc.subject | Political spectacle | |
| dc.subject | Youth cultures | |
| dc.subject | Discourse analysis | |
| dc.title | Between Rebellion and the Spectacle: Analysis of the Songs of the Hip-Hoppers of Bogot? | |
| dc.type | Book chapter | |
