dc.contributor | Vallejo Yépez, Cristian Esteban | |
dc.creator | Idrovo Medina, Fabián Mateo | |
dc.date.accessioned | 2023-07-11T20:35:25Z | |
dc.date.accessioned | 2023-08-10T14:41:17Z | |
dc.date.available | 2023-07-11T20:35:25Z | |
dc.date.available | 2023-08-10T14:41:17Z | |
dc.date.created | 2023-07-11T20:35:25Z | |
dc.date.issued | 2023-07-11 | |
dc.identifier | http://dspace.ucuenca.edu.ec/handle/123456789/42377 | |
dc.identifier.uri | https://repositorioslatinoamericanos.uchile.cl/handle/2250/8152065 | |
dc.description.abstract | The use irrational meters in music are not a common practice. Playing an irrational meter in a
song can result in something new and confusing for the player. However, we can also use
irrational meters as a tool to generate new rhythmic ideas in a song. The purpose of this
research is to demonstrate the use of irrational meters in a progressive rock song. We look to
explain in the first chapter, in a math-theory manner, the use of irrational meters in a song as
well as the foundations of the musical genre that was used in this thesis. The second chapter
shows in what ways irrational meters were used in a progressive rock song, C4 played by the
Ensamble de Rock de la Universidad de Cuenca, as well as a structural analysis of the song
with which we can understand the why of the substitutions to irrational meters. | |
dc.language | spa | |
dc.publisher | Universidad de Cuenca | |
dc.relation | TMUS;214 | |
dc.rights | http://creativecommons.org/licenses/by-nc-nd/4.0/ | |
dc.rights | openAccess | |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Internacional | |
dc.subject | Artes Musicales | |
dc.subject | Compases | |
dc.subject | Irracionalidad | |
dc.subject | Ritmos | |
dc.title | Aplicación de compases irracionales en una obra de rock progresivo explicación y aplicación teórica-práctica | |