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The desiring impasse: Translations, misunderstandings and racism in Chile

Pierce, Joseph M.
Transcreation, intertextuality and ethnopoetics

Abruzzese, Alessandra
From the Spiritist Medium to the Artist Medium: The Cult of María Lionza as an Artistic Practice

Calvetti, Dixon
Teatro Ojo: Displaced Theatricalities and other Listening Scenarios

Ponce, Gabriela; Teatro Ojo
Taiñ ngoymanuam / Not to forget: Why make visible an epupillan memory?

Catrileo, Antonio Caliban
Heterogenous scenarios and Expanded Practices

Ponce, Gabriela
Taking up "Instructions for Becoming"

Schneider, Rebecca
Research or Craftsmanship? Nine theses on the future of an education for the performing arts

Goebbels, Heiner
New Ecuadorian Cinema: small, glocal and plurinational

Coryat, Diana; Zweig, Noah
The epistemological resonances of turning Derrida into a theatrical playwright

Poveda, Jorge
Permanent Artistic Residence

Guayasamín, Tamia
Link

Garzón Mantilla, Anamaría; Ponce, Gabriela; Correa, Marcela; Mora, Genoveva
Echoes and whispers: re-narrating the memory of dance in Quito, Ecuador

Donoso , Esteban
Searching in the silence of things

Zambrano, Giulianna
The presence of the object in the emancipation of scenic relationships

Jijón, Pamela
Culebra Cascabel: Delve into the sound until the theater emerges

Díaz Martínez, Bertha
Our dance: the laborious exercise of naming (us), imagining (us), dancing (us)

Barba , Fabián
Reflections on the relevance of speaking of a "scenic creation before the spectator"

Chevallier, Jean-Frédéric
The dead must rest the nap of the worm or the Scenic Laboratory of Social Experimentation (LEES), reviving from the roots

Laboratorio Escénico de Experimentación Social (LEES)
Blind Writing (a Transcript with Mask)

Prado, Michael