Do cinema de Béla Tarr

dc.contributorAna Lúcia Menezes de Andrade
dc.contributorhttp://lattes.cnpq.br/3135226803336399
dc.contributorJorge Luiz Rocha de Vasconcellos
dc.contributorMateus Araujo Silva
dc.contributorMarcelo Kraiser
dc.contributorLeonardo Alvares Vidigal
dc.contributorMariana Ribeiro da Silva Tavares
dc.creatorLídia Aparecida Rodrigues Silva Mello
dc.date.accessioned2022-11-30T13:10:02Z
dc.date.accessioned2023-06-16T16:39:25Z
dc.date.available2022-11-30T13:10:02Z
dc.date.available2023-06-16T16:39:25Z
dc.date.created2022-11-30T13:10:02Z
dc.date.issued2017-05-05
dc.identifierhttp://hdl.handle.net/1843/47574
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/6683119
dc.description.abstractThe thesis is about the cinematographic work of the Hungarian director Béla Tarr, focusing on his last five feature films. I begin with the ideas that in his films repetition creates difference. I am basing on the concepts of the philosophers: Gilles Deleuze, Friedrich Nietzsche, Baruch Spinoza and film theorists. I work through Henri Bergson's notion of intuition as a methodology.
dc.publisherUniversidade Federal de Minas Gerais
dc.publisherBrasil
dc.publisherEBA - ESCOLA DE BELAS ARTES
dc.publisherPrograma de Pós-Graduação em Artes
dc.publisherUFMG
dc.rightsAcesso Aberto
dc.subjectBéla Tarr
dc.subjectCinema húngaro
dc.subjectCinema de pensamento
dc.subjectRepetição e diferença
dc.subjectFilosofia do Cinema
dc.titleDo cinema de Béla Tarr
dc.typeTese


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