Encuadre y composición para el personaje principal en el cortometraje Hostilidad

Abstract

The following investigation entitled Framing and composition for the main character in the short film Hostilidad, starts with a brief introduction to the history of photography and reaches a conceptualization of the basic technical aspects of film photography. Learning these bases will allow us to correctly apply the resources that photography offers us when supporting the construction of the main character. For this, we will focus on the theory that various authors establish in their studies: Mirar (1980), by John Berger, Días de una Cámara (1980), by Néstor Almendros; The image-time (1985) and The image-movement (1983), by Gilles Deleuze, as main exponents in the investigation. This theoretical knowledge will be complemented and considered in analysis of the films El castillo de la pureza (1972), by Arturo Ripstein; Perfect Blue (1997), by Satoshi Kon; Marriage Story (2019) by Noah Baumbach. For the present investigation, the methodologies to be used will be the investigation - creation and in the film analysis, the text Précis d’ analyse filmique (1992), by Francis Vanoye and Anne Goliot-Lété, will be used.