The Representation of Torture in Two Short-Stories by Julio Cesar Monteiro Martins: O Metodo and A Posicao

dc.contributorUniversidade Estadual Paulista (UNESP)
dc.date.accessioned2022-04-28T17:22:01Z
dc.date.accessioned2022-12-20T00:38:03Z
dc.date.available2022-04-28T17:22:01Z
dc.date.available2022-12-20T00:38:03Z
dc.date.created2022-04-28T17:22:01Z
dc.date.issued2020-07-01
dc.identifierLiteratura E Autoritarismo. Santa Maria: Univ Federal Santa Maria, n. 36, p. 123-139, 2020.
dc.identifier1679-849X
dc.identifierhttp://hdl.handle.net/11449/218622
dc.identifier10.5902/1679849X53140
dc.identifierWOS:000669887400009
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/5398756
dc.description.abstractIn the short stories O metodo and A posicao, produced in the 70's, the writer Julio Cesar Monteiro Martins (1955-2014) explores the theme of torture, denouncing it as a trivialized practice in the repressive horizon created by the civil-military dictatorship implanted in Brazil since 1964. In this article, we will make a critical reading of the two short stories, comparing them to reflect on the problem of the representation of extreme violence in literature and its aesthetic and ethical implications.
dc.languagepor
dc.publisherUniv Federal Santa Maria
dc.relationLiteratura E Autoritarismo
dc.sourceWeb of Science
dc.subjectJulio Cesar Monteiro Martins
dc.subjectRepresentation
dc.subjectShort-story
dc.subjectTorture
dc.subjectViolence
dc.titleThe Representation of Torture in Two Short-Stories by Julio Cesar Monteiro Martins: O Metodo and A Posicao
dc.typeArtículos de revistas


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