Road narratives and hinterland in Brazilian contemporary literature and cinema

dc.contributorUniversidade Estadual Paulista (Unesp)
dc.date.accessioned2020-12-10T19:42:22Z
dc.date.accessioned2022-12-19T20:16:07Z
dc.date.available2020-12-10T19:42:22Z
dc.date.available2022-12-19T20:16:07Z
dc.date.created2020-12-10T19:42:22Z
dc.date.issued2017-07-01
dc.identifierVeredas-revista Da Associacao Internacional De Lusitanistas. Porto: Assoc Int Lusitanistas, v. 28, p. 5-18, 2017.
dc.identifier0874-5102
dc.identifierhttp://hdl.handle.net/11449/196368
dc.identifier10.242661/2183-816x0128
dc.identifierWOS:000499911100001
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/5377005
dc.description.abstractThis work presents an analysis of Viajo porque preciso, volto porque te amo, a motion picture by Marcelo Gomes e Karim Ainouz, and Milagre em Juazeiro, a short story by Ronaldo Correia de Brito. The proposed question is how the characteristics of road narratives are related, in both cases, to a revision of the meanings assumed by hinterland during different periods in Brazilian literature and cinema.
dc.languagepor
dc.publisherAssoc Int Lusitanistas
dc.relationVeredas-revista Da Associacao Internacional De Lusitanistas
dc.sourceWeb of Science
dc.subjecthinterland
dc.subjectdisplacement
dc.subjectroad narratives
dc.titleRoad narratives and hinterland in Brazilian contemporary literature and cinema
dc.typeArtículos de revistas


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