bachelorThesis
La exploración de la voz del actor para la creación del personaje de la muestra Historias Trenzadas a partir de la propuesta de Eugenio Barba sobre los principios que retornan
Fecha
2022-04-22Autor
Ramos Jumbo, Pablo Andrés
Institución
Resumen
The following graduation work is situated in the investigation of the actor's body. It has
relation with the anthropological theater that Eugenio Barba proposes, it is deepened in
the principles that return that it speaks in his book The Secret Art of the Actor. Above
them the voice is explored, to build a character.
The interest of this research is generated from how the body from these returning
principles, is transformed and generates a state of pre-expressivity, perception and body
awareness for the scenic creation. Then, a body training is proposed based on these
principles in order to take the body to the required state. This body state serves as a
platform for the exploration of the voice, the place where this investigation lies.
The exploration of the voice comes from a previous laboratory work where this research
cell was created. To settle this exploration more effectively, we will take as reference the
book Organic Bases for the Education of the Voice (2002) by Ana María Muñoz and
Chistine Hoppe-Lammer. In the end, body training and voice exploration are connected
to explore, reflect and settle in the construction of a character that is reflected in the
sample Braided Histories.