dc.contributor | Verdugo Cárdenas, Gladys Jaqueline | |
dc.creator | Vázquez, Pablo Antonio | |
dc.date.accessioned | 2014-06-27T18:55:12Z | |
dc.date.accessioned | 2022-10-20T23:02:18Z | |
dc.date.available | 2014-06-27T18:55:12Z | |
dc.date.available | 2022-10-20T23:02:18Z | |
dc.date.created | 2014-06-27T18:55:12Z | |
dc.date.issued | 2004 | |
dc.identifier | http://dspace.ucuenca.edu.ec/handle/123456789/14642 | |
dc.identifier.uri | https://repositorioslatinoamericanos.uchile.cl/handle/2250/4614531 | |
dc.language | spa | |
dc.relation | TCA-4 | |
dc.rights | http://creativecommons.org/licenses/by-nc-sa/3.0/ec/ | |
dc.rights | openAccess | |
dc.subject | Pulp Fiction | |
dc.subject | Reservoir Dogs | |
dc.subject | Semiologia | |
dc.subject | Film | |
dc.subject | Quentin Tarantino | |
dc.subject | Cine Norteamericano | |
dc.subject | Cine Independiente | |
dc.subject | Tesis En Cine Y Audiovisuales | |
dc.title | Desarrollo semiótico del código iconográfico en los filmes | |
dc.type | bachelorThesis | |