Caravaggio, apropiación estética corporal hiperrealista

Abstract

Caravaggio and the Baroque think in new aesthetic practices, their relationship with the new artistic concepts using hyper-realistic technique and the use of the human figure, to create a new perspective on contemporary art, studying closest references temporarily to study their techniques and propose a new style of painting that shows all our symbolic tradition mystical and magical Latin-American art. In the current or contemporary figurative art there is a human vacuum, absence of the body as a central figure of the work, the proposals lack theatricality missing carnivalization, new and hedonistic symbolism, connecting the religious syncretism surrealistic plagiarism, the appropriation and culminate in something called perhaps neo-baroque. New paint intended to free the meanings and seek various points canonized interpretation thereof.