dc.contributor | Assunção, Luiz Carvalho de | |
dc.contributor | | |
dc.contributor | http://lattes.cnpq.br/2078611692343181 | |
dc.contributor | | |
dc.contributor | http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4780134H6 | |
dc.contributor | Coradini, Lisabete | |
dc.contributor | | |
dc.contributor | http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4785895Z8 | |
dc.contributor | Sandroni, Carlos | |
dc.contributor | | |
dc.contributor | http://lattes.cnpq.br/2096219243191159 | |
dc.contributor | Pereira, Edmundo Mendes | |
dc.contributor | | |
dc.contributor | http://lattes.cnpq.br/6628113763709058 | |
dc.creator | Nascimento, Lanna Patrícia Marques do | |
dc.date.accessioned | 2013-05-13 | |
dc.date.accessioned | 2014-12-17T13:54:51Z | |
dc.date.accessioned | 2022-10-06T14:18:00Z | |
dc.date.available | 2013-05-13 | |
dc.date.available | 2014-12-17T13:54:51Z | |
dc.date.available | 2022-10-06T14:18:00Z | |
dc.date.created | 2013-05-13 | |
dc.date.created | 2014-12-17T13:54:51Z | |
dc.date.issued | 2012-10-08 | |
dc.identifier | NASCIMENTO, Lanna Patrícia Marques do. Vem ouvir o verso de teu cantador : amos, cantadores e
toadas no Boi-Bumbá Caprichoso Belém/PA. 2012. 193 f. Dissertação (Mestrado em Antropologia Social) - Universidade Federal do Rio Grande do Norte, Natal, 2012. | |
dc.identifier | https://repositorio.ufrn.br/jspui/handle/123456789/12280 | |
dc.identifier.uri | http://repositorioslatinoamericanos.uchile.cl/handle/2250/3976249 | |
dc.description.abstract | This thesis aims to investigating the cantadores and the toadas in the Boi
Bumbá, debating questions which put together around the construction and
performance of amo s and cantador s role in the Boi Bumbá Caprichoso of
Belém-PA city and exploring the extent of toadas its characteristics, functions,
the uses that are made of theirs and the relations that establishes between
them and the cantadores. The problematic of the research consisted on
analysing what the amos, cantadores and toadas represent in the whole context
of boi-bumbá plays in Belém, nowadays. Considering this perspective, I tried to
identify on Boi Caprichoso the most meaningful expressions which were related
to toadas and how the roles of amo and cantador were performed. Participative
observation, ethnical research, open and semistructured interviews were used
as research methods. The role performances on Boi Caprichoso plays an
essential part on the playing realization, highlighting themselves as pivotal
characters. These performances, characterized by the vocal presence, also
highlighted the size that toadas occupy in the whole play, and pointed the way
for an emerging model of presentation, in which both toada and cantador
appear as central figures | |
dc.publisher | Universidade Federal do Rio Grande do Norte | |
dc.publisher | BR | |
dc.publisher | UFRN | |
dc.publisher | Programa de Pós-Graduação em Antropologia Social | |
dc.publisher | Antropologia Social | |
dc.rights | Acesso Aberto | |
dc.subject | Cantador. Amo. Toada. Boi-bumbá | |
dc.subject | Cantador. Amo. Toada. Boi bumbá | |
dc.title | Vem ouvir o verso de teu cantador : amos, cantadores e
toadas no Boi-Bumbá Caprichoso Belém/PA | |
dc.type | masterThesis | |