Ficção e documentário: hibridismo no cinema brasileiro contemporâneo

Abstract

This article proposes to analyse the ways in which is constructed the relationship between fiction and documentary narratives in three Brazilian contemporary films: Jogo de Cena (2007) and O Céu Sobre os Ombros (2010). The aim here is to investigate to which extent it is possible to think and to refer to, in the case of these films, a hybrid narrative.