dc.contributorPereira, Henrique Alonso de Albuquerque Rodrigues
dc.contributor
dc.contributorhttp://lattes.cnpq.br/6563710269644438
dc.contributor
dc.contributorhttp://lattes.cnpq.br/9609541796507055
dc.contributorSantiago Junior, Francisco das Chagas Fernandes
dc.contributor
dc.contributorhttp://lattes.cnpq.br/8893350729538284
dc.contributorOliveira, Iranilson Buriti de
dc.contributor
dc.contributorhttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4728002Z6
dc.creatorCunha, Carlos Henrique Pessoa
dc.date.accessioned2014-08-21
dc.date.accessioned2014-12-17T15:25:22Z
dc.date.accessioned2022-10-06T13:27:35Z
dc.date.available2014-08-21
dc.date.available2014-12-17T15:25:22Z
dc.date.available2022-10-06T13:27:35Z
dc.date.created2014-08-21
dc.date.created2014-12-17T15:25:22Z
dc.date.issued2014-03-12
dc.identifierCUNHA, Carlos Henrique Pessoa. Nos tempos do blackout: cena musical, práticas urbanas e a ressignificação da Rua Chile, Natal-RN. 2014. 210 f. Dissertação (Mestrado em História e Espaços) - Universidade Federal do Rio Grande do Norte, Natal, 2014.
dc.identifierhttps://repositorio.ufrn.br/jspui/handle/123456789/16984
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3968959
dc.description.abstractThis study aims to analyze the process of resignification of Chile Street, in Natal, from the development of a music scene in the late 1990s. Chile Street, as part of the Historic Centre of Natal, had its images constructed from the discursive practices and everyday life of its regular visitors, leading to a series of symbolic and imaging transformations throughout the twentieth century. Initially transformed into glamorous space as a result of urban actions of the new republic of Albuquerque Maranhão, in the early twentieth century, Ribeira and Chile Street, specifically, came to be seen as bohemian area, during the war time"; followed by a marginal phase, it was eventually transformed into the main rocker area of Natal, with the development of a musical scene in the second half of the 1990s. This music scene, its practices, economic interests, cultural events and identity ties created among their practitioners made Chile Street, "in the time of Blackout night club", an "alternative" space. As the historic centers, inserted in the logic of postmodern city marketing, both spaces are dynamic in their practices, as in their images, Chile Street also suffered changes in its meanings and symbols, around the year 2000 when the alternative-underground space became a pop space, where people from various parts of the city began attending its events and places, transforming it into a point of very heterogeneous sociability
dc.publisherUniversidade Federal do Rio Grande do Norte
dc.publisherBR
dc.publisherUFRN
dc.publisherPrograma de Pós-Graduação em História
dc.publisherHistória e Espaços
dc.rightsAcesso Aberto
dc.subjectCentro histórico. Cena musical. Rua Chile. Ressignificação
dc.subjectHistorical center. Musical scene. Chile street. Resignification
dc.titleNos tempos do blackout: cena musical, práticas urbanas e a ressignificação da Rua Chile, Natal-RN
dc.typemasterThesis


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