dc.creator | Neto, Antonio Vicente | |
dc.creator | Costa, Maria Helena Braga e Vaz da | |
dc.date.accessioned | 2015-10-26T23:44:26Z | |
dc.date.accessioned | 2022-10-06T13:04:12Z | |
dc.date.available | 2015-10-26T23:44:26Z | |
dc.date.available | 2022-10-06T13:04:12Z | |
dc.date.created | 2015-10-26T23:44:26Z | |
dc.date.issued | 2012 | |
dc.identifier | NETO, Antonio Vicente; COSTA, Maria Helena Braga e Vaz da. Cidades visíveis e invisíveis: não por acaso um edifício master. Publica, Natal, v. 7, n. 1, p. 1-12, 2012. ISSN:1981-8297. Disponível em: <http://periodicos.ufrn.br/publica/article/view/5736/4563> Acesso em: 22/05/2015 | |
dc.identifier | 1981-8297 | |
dc.identifier | https://repositorio.ufrn.br/jspui/handle/123456789/19327 | |
dc.identifier.uri | http://repositorioslatinoamericanos.uchile.cl/handle/2250/3963402 | |
dc.description.abstract | This paper investigates the production of space through and by the cinema as a
mode of representation and symbol of the urban society. For this, it will comment on
how two Brazilian films - Não Por Acaso (Philippe Barcinski, 2007) and Edifício
Master (Eduardo Coutinho, 2002) - have constructed images of the modern and
postmodern metropolis by the way of producing a new space’s aesthetics. The first film
is a fiction feature set in the city of São Paulo, the latter, a documentary that has as
background the city of Rio de Janeiro, more specifically the neighborhood of
Copacabana. Thus, the cinema is considered here as a valuable media for analysis of the
production of space within modernity. | |
dc.language | por | |
dc.publisher | Universidade Federal do Rio Grande do Norte | |
dc.publisher | Brasil | |
dc.publisher | UFRN | |
dc.rights | Acesso Aberto | |
dc.subject | Cinema | |
dc.subject | Espaço | |
dc.subject | Representação | |
dc.subject | Metrópole | |
dc.title | Cidades visíveis e invisíveis: não por acaso um edifício master | |
dc.type | article | |