bachelorThesis
Ensino remoto emergencial de música: um relato de experiência no Projeto EMUSCO durante a pandemia da Covid-19
Fecha
2022-01-28Registro en:
BARBOZA, Márcio Borges. Ensino remoto emergencial de música: um relato de experiência no Projeto EMUSCO durante a pandemia da Covid-19. 2022. 48f. Trabalho de Conclusão de Curso (Graduação em Licenciatura), Escola de Música, Universidade Federal do Rio Grande do Norte, Natal, 2022.
Autor
Barboza, Márcio Borges
Resumen
This course conclusion work is an experience report on aspects related to the process of
adapting face-to-face music teaching to the emergency remote teaching modality, within the
scope of the project of Severino Cordeiro School of Music (in Portuguese: Escola de Música
Severino Cordeiro-EMUSCO), developed at Ferreira Itajubá Municipal School, in Natal/RN.
Due to the social distance resulting from COVID-19, EMUSCO's activities were initially
paralyzed and its faculty had to adapt its teaching methodology to the new reality.
Considering this, the work has as general objective to present challenges and achievements of
music teaching in EMUSCO Project, as a result of COVID-19 pandemic, reporting the entire
process of adapting face-to-face music education to the emergency remote teaching modality
in the period of the pandemic, also understanding the possible forms of organization for that
teaching modality, identifying the main difficulties and seeking to minimize the impact that
the health crisis caused to education in general. To assist the reflections in the course of the
report, the theoretical foundation is based on concepts related to the Brazilian theme of
Emergency Remote Teaching (ERE), as well as aspects related to Distance Learning (DE),
approaching authors such as Tokarina (2020), Paixão (2020), Ribeiro (2019) and Valente
(2010), also seeking to reflect on the use of Information and Communication Technology
(ICT) applied to music teaching. The results of the report pointed to a satisfactory musical
learning, despite the different scenario from that one commonly experienced within the scope
of the Project, as well as highlighting the main difficulties and potentialities in music teaching
and in the maintenance of cultural activities in the virtual format.
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