Mascaramento: atuação e confecção em processo de criação integrado

Abstract

The present research investigates to what extent the making of expressive theatrical masks can contribute, positively or negatively in the creation work of the actor, considering that they were elaborated from their proposals of corporeal creation as a materialization of "character-type". The research also seeks to reflect on the development of a feedback process so that both spheres of creation, both actor and worker, can be mutually reinforcing. In this way the main axis of the investigation is in the analysis of the object as stimulus and potentiator of the work of the actor.