dc.contributor | Lira, Ezequias Oliveira | |
dc.contributor | | |
dc.contributor | | |
dc.contributor | Holanda, Joana Cunha de | |
dc.contributor | | |
dc.contributor | Souza, Eddy Lincolln Freitas de | |
dc.contributor | | |
dc.creator | Silva, Marco Rodrigo Castro da | |
dc.date.accessioned | 2020-03-17T19:14:47Z | |
dc.date.accessioned | 2022-10-06T12:42:24Z | |
dc.date.available | 2020-03-17T19:14:47Z | |
dc.date.available | 2022-10-06T12:42:24Z | |
dc.date.created | 2020-03-17T19:14:47Z | |
dc.date.issued | 2019-12-02 | |
dc.identifier | SILVA, Marco Rodrigo Castro da. Uma edição crítico-interpretativa da Suíte Nordestina n° 2 de Nonato Luiz. 2019. 106f. Dissertação (Mestrado em Música) - Escola de Música, Universidade Federal do Rio Grande do Norte, Natal, 2019. | |
dc.identifier | https://repositorio.ufrn.br/jspui/handle/123456789/28565 | |
dc.identifier.uri | http://repositorioslatinoamericanos.uchile.cl/handle/2250/3957519 | |
dc.description.abstract | The theme on which this research is based is the oeuvre of the composer and
instrumentalist from Ceará, Nonato Luiz, and its specific object of study is the piece called Suíte
Nordestina nº 2, constituted by the following movements: I - Serenata, II - Xote and III - Frevo.
This endeavour consists essentially of an examination of the various facets of the composition
with the purpose of conceiving for the work an interpretative proposal, whose main guiding
element is the characteristics of the musical genres with which each movement relates. As the
final objective of the investigation conducted here, it is intended to produce a criticalinterpretative edition of the studied music, which can lead the interested musicians in the
direction of an expressive and coherent interpretation. The study initially presents information
about the artist, summarizing his formation and his musical influences. At this moment it gives
an overview of his performance as an instrumentalist and composer and discusses his published
work. It then enters the theme of musical interpretation, with a discussion of the terminology
used in the area and the limits to which the interpreter is subjected in his mister. Next, an
exposition of the main existing types of edition is made, outlining the contours of the present
edition. Finally, the inquiry reaches its core, explaining the characteristics of the musical genres
displayed in the piece and presenting a performance proposal for each of the composition
movements. The paper concludes with last considerations on the topics discussed and the
edition presented. | |
dc.publisher | Brasil | |
dc.publisher | UFRN | |
dc.publisher | PROGRAMA DE PÓS-GRADUAÇÃO EM MÚSICA | |
dc.rights | Acesso Aberto | |
dc.subject | Violão solo | |
dc.subject | Nonato Luiz | |
dc.subject | Interpretação musical | |
dc.subject | Edição musical | |
dc.subject | Gêneros musicais | |
dc.title | Uma edição crítico-interpretativa da Suíte Nordestina n° 2 de Nonato Luiz | |
dc.type | masterThesis | |