masterThesis
Entre camadas: processos de criação em procedimentos de instaurações cênicas
Fecha
2019-07-30Registro en:
MEDEIROS, Ewerton Emanoel Fernandes de. Entre camadas: processos de criação em procedimentos de instaurações cênicas. 2019. 90f. Dissertação (Mestrado em Artes Cênicas) - Centro de Ciências Humanas, Letras e Artes, Universidade Federal do Rio Grande do Norte, Natal, 2019.
Autor
Medeiros, Ewerton Emanoel Fernandes de
Resumen
This research aims to investigate the dynamics arising from the intertwining of artistic
languages imbricated in intertextual creative processes. It is a qualitative approach that
involves the paradoxes of contemporary artistic creation with its simultaneous events in a
practical and theoretical way, intensively permeating the ambiguities and imbrications of
art/life. The Scenic Instaurations created by CRUOR Contemporary Art in Artistic Residence
at the Dr. João Machado Psychiatric Hospital are objects of study and analysis of creation in
the field of Scenic Arts. I introduce the writing of this dissertation narrating sections of my
life, which constitute me as an artist and researcher. In which I mention important
productions of the Transdisciplinary Nucleus of Research in Scenic and Spectacular
Arts/NACE and its group of scene practices: CRUOR Contemporary Art. I explain the
concept of "Scenic Instauration" used as a creative methodological procedure to perform the
scene practices of this research, a term created by Profa. Dr. Nara Salles in his doctoral thesis
entitled "Senses: a scenic instauration - Creative processes from the poetics of Antonin
Artaud" in the year 2004. In the first chapter I approach themes of art and the contemporary
scene in a mental asylum. The second chapter reports on the creative process of the Scenic
Instaurations: DESAMPARO, Birthday and WATER. I conclude the text proposing in the
Aspects (in) Conclusive developments for this research when reflecting the resemantization
of corporal writing by the vestimentary and skin processes.