dc.contributorUniversidade Estadual Paulista (Unesp)
dc.date.accessioned2014-05-27T11:27:21Z
dc.date.accessioned2022-10-05T18:38:44Z
dc.date.available2014-05-27T11:27:21Z
dc.date.available2022-10-05T18:38:44Z
dc.date.created2014-05-27T11:27:21Z
dc.date.issued2012-12-01
dc.identifierIlha do Desterro, n. 62, p. 153-172, 2012.
dc.identifier0101-4846
dc.identifier2175-8026
dc.identifierhttp://hdl.handle.net/11449/73913
dc.identifier10.5007/2175-8026.2012n62p153
dc.identifier2-s2.0-84872003268
dc.identifier2-s2.0-84872003268.pdf
dc.identifier4419893059731337
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3922883
dc.description.abstractLudwig Tieck (1773-1853) was a pioneer of German Romanticism alongside figures such as Novalis, Wackenroder, brothers August and Friedrich Schlegel, Schleiermacher, Schelling. A great admirer of Shakespeare and Calderón de la Barca, Tieck envisioned literature as a supranational terrain and an area of convergence of different traditions and perspectives. Thus he absorbed numerous elements from popular culture (fairy tales, legends, superstitions) and merged with the trends of his time, among which the mid eighteenth-century gothic and horror narrative. In Tieck the macabre becomes an expression of questions about the relationship between the subject and on the very notion (based on common sense) that there would be a single reality and independent from the point of view of who observes or describes. Tieck aesthetically formulated questions that echoed throughout German romanticism, expressing concerns and anxieties inseparable from his poetic and literary production.
dc.languagepor
dc.relationIlha do Desterro
dc.relation0,125
dc.rightsAcesso aberto
dc.sourceScopus
dc.subjectGothic
dc.subjectMarvellous
dc.subjectRomanticism
dc.subjectTieck
dc.titleLudwig Tieck: Meandros Góticos
dc.typeArtigo


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