dc.creator | Elen de Medeiros | |
dc.date.accessioned | 2021-08-24T15:08:23Z | |
dc.date.accessioned | 2022-10-04T00:54:35Z | |
dc.date.available | 2021-08-24T15:08:23Z | |
dc.date.available | 2022-10-04T00:54:35Z | |
dc.date.created | 2021-08-24T15:08:23Z | |
dc.date.issued | 2018-12-29 | |
dc.identifier | http://dx.doi.org/10.22409/gragoata.2018n47a1171 | |
dc.identifier | 2358-4114 | |
dc.identifier | http://hdl.handle.net/1843/37724 | |
dc.identifier | https://orcid.org/0000-0003-1281-2092 | |
dc.identifier.uri | http://repositorioslatinoamericanos.uchile.cl/handle/2250/3837429 | |
dc.description.abstract | From the approach of four theatrical pieces – Apocalipse 1,11 (Teatro da Vertigem),Agreste and Projeto Body Art (by Newton Moreno), and Amores surdos (by Grace Passô) –, we intend to recognize propositions of insertion of deviant elements of the real or the referential of representation in contemporary theater. In this sense, the works deal, each with a particular poetics, with strange elements that mark deviations of behavior, thus causing a displacement as to the composition of the theatrical mimesis, and approach the perceptions of social reality in its multiple marginalizations and forms of reading. | |
dc.publisher | Universidade Federal de Minas Gerais | |
dc.publisher | Brasil | |
dc.publisher | FALE - FACULDADE DE LETRAS | |
dc.publisher | UFMG | |
dc.relation | Gragoatá | |
dc.rights | Acesso Aberto | |
dc.subject | Dramaturgia contemporânea | |
dc.subject | Desvios do real | |
dc.subject | Mimese teatral | |
dc.subject | Literatura dramática | |
dc.title | Fissuras do real: desvios da mimese na dramaturgia brasileira contemporânea | |
dc.type | Artigo de Periódico | |