| dc.description.abstract | This paper presents reflections on the discursive genre "Traffic Incident Report" from a real situation of language use, considering it as a language act and attempting to outline the circumstances that determine the linguageiro game that involve subjects and define the formal setting of the text: the resulting liguístico material. Tenco established a discursive point of view, from the explanation of assumptions that circumscribe our conceptions of language, text production of meaning as well as the relations between orality and writing, we base our approach on theories that turn to linguageira activity within a specific social, looking also examine aspects of the textuality of Beaugrande, and also sought support in other frameworks, with the use of complementary concepts: the analysis of the French Speech, the notions of polyphony and polygraphy, social psychology, group notions of and relationship. Recognizing the intersection of liguísticas issues with other areas, our objective theoretically expand the field of view focused on the text in its discursive dimension. The intertwining of these theories led a better understanding of the discursive scene with an arena, a game space and conflict, in which the writer degladia cop genre we analyzed. This understanding ourselves most clearly when discussing the Charaudeau theory and conclude that it may cover in the context of semiolinguistics competence, the various aspects of the performance of the subject involved nun linguageiro act, indicated separately in different theories. These findings allowed to weave considerations of interest to the teaching practice, in that it broadened our understanding of the complexity of every human act of language - written or spoken - and on the relevance and importance of discursive and textual aspects to be worked in room of class. | |
