Between logos and doxa: The Intelligence of a Machine
Registro en:
2285-5920
10.1515/hssr -2016-0007
instname:Universidad de Bogotá Jorge Tadeo Lozano
reponame:Repositorio Institucional de la Universidad de Bogotá Jorge Tadeo Lozano
Autor
Duarte, German A.
Institución
Resumen
This paper deals with Parmenides of Elea’s way of inquiry about reality and
the opposition emerging from it. In more detail, it analyses how
Parmenides’ concepts of logos and doxa present some analogies with
Bergson’s thoughts about duration and Time and how these theories
influenced the understanding of visual media, especially the
cinematographic camera. This survey will allow us to demonstrate that some
scientific theories about space that accompanied the development of the
cinematographic camera progressively allowed for the birth of a new
understanding of this device. In the last section of this study, we will then
focus on the way through which the film camera - understood as an
intelligent device - passes from the sphere of doxa to the sphere of logos.