dc.creatorDíaz Saldaña, Omar
dc.date.accessioned2011-09-28T22:30:13Z
dc.date.accessioned2022-09-22T18:27:33Z
dc.date.available2011-09-28T22:30:13Z
dc.date.available2022-09-22T18:27:33Z
dc.date.created2011-09-28T22:30:13Z
dc.date.issued2005-01
dc.identifier0121-0777
dc.identifierhttp://red.uao.edu.co//handle/10614/268
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3451742
dc.description.abstractIn this essay we will enlighten the importance iconography research has on the reading and writing practices, which call our attention on the study of the works of arts as it relates to the meaning or connections to how these practices are represented in the history of art. We will examine how the dialectic of the dialogue, the pressure between the practice of reading out loud tied to the presence of the voice and the hearing sense in the short term leads to forgetfulness; the practice of silent reading essentially linked to the eye, and stare, is temporality established in the memory, are represented in his work Two Wise men conversing
dc.languagespa
dc.publisherUniversidad Autónoma de Occidente
dc.relationEl hombre y la máquina no. 24 (ene.-jun. 2005); p. 100-113
dc.rightshttps://creativecommons.org/licenses/by-nc/4.0/
dc.rightsinfo:eu-repo/semantics/openAccess
dc.rightsAtribución-NoComercial 4.0 Internacional (CC BY-NC 4.0)
dc.rightsDerechos Reservados - Universidad Autónoma de Occidente
dc.sourceinstname:Universidad Autónoma de Occidente
dc.sourcereponame:Repositorio Institucional UAO
dc.subjectIconography
dc.subjectPainting, Netherlands
dc.subjectRembrandt, Hamerson Van Rijn, 1606-1669
dc.subjectIconografía
dc.titleRembrandt y la dialéctica del olvido y la memoria Reflexiones a propósito de la iconografía de las prácticas de la lectura
dc.typeArtículo de revista


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