dc.creatorQuiroga, Samuel
dc.creatorVillegas, Lorena
dc.date2020
dc.date2021-04-30T16:31:15Z
dc.date2021-04-30T16:31:15Z
dc.date.accessioned2021-06-14T22:07:43Z
dc.date.available2021-06-14T22:07:43Z
dc.identifierGOYA,Vol.,224-+,2020
dc.identifierhttp://repositoriodigital.uct.cl/handle/10925/2828
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3301156
dc.descriptionTwo central ideas are discussed in this article. Firstly, the intellectual debate in the field of Chilean art concerning the existence of a 'Chilean school of painting'. Secondly, the accepted thesis of the existence of a 'Chilean school of landscape'. A 'tradition' of landscape painting has clearly emerged within Chilean art, in which the work of Antonio Smith constitutes a key moment in its consolidation.
dc.languagees
dc.publisherFUNDACION LAZARO GALDIANO
dc.sourceGOYA
dc.subjectLandscape
dc.subjectschool
dc.subjecttradition
dc.subjectAntonio Smith
dc.subjectCiccarelli
dc.titleAntonio Smith and landscape painting in Chile: school or tradition?
dc.typeArticle


Este ítem pertenece a la siguiente institución