| dc.creator | Quiroga, Samuel | |
| dc.creator | Villegas, Lorena | |
| dc.date | 2020 | |
| dc.date | 2021-04-30T16:31:15Z | |
| dc.date | 2021-04-30T16:31:15Z | |
| dc.date.accessioned | 2021-06-14T22:07:43Z | |
| dc.date.available | 2021-06-14T22:07:43Z | |
| dc.identifier | GOYA,Vol.,224-+,2020 | |
| dc.identifier | http://repositoriodigital.uct.cl/handle/10925/2828 | |
| dc.identifier.uri | http://repositorioslatinoamericanos.uchile.cl/handle/2250/3301156 | |
| dc.description | Two central ideas are discussed in this article. Firstly, the intellectual debate in the field of Chilean art concerning the existence of a 'Chilean school of painting'. Secondly, the accepted thesis of the existence of a 'Chilean school of landscape'. A 'tradition' of landscape painting has clearly emerged within Chilean art, in which the work of Antonio Smith constitutes a key moment in its consolidation. | |
| dc.language | es | |
| dc.publisher | FUNDACION LAZARO GALDIANO | |
| dc.source | GOYA | |
| dc.subject | Landscape | |
| dc.subject | school | |
| dc.subject | tradition | |
| dc.subject | Antonio Smith | |
| dc.subject | Ciccarelli | |
| dc.title | Antonio Smith and landscape painting in Chile: school or tradition? | |
| dc.type | Article | |
