dc.contributor | Santos, Nara Cristina | |
dc.contributor | http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4723509P8 | |
dc.contributor | Leote, Rosangela da Silva | |
dc.contributor | http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4768525Y9 | |
dc.contributor | Minuzzi, Reinilda de Fátima Berguenmayer | |
dc.contributor | http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4770857Y8 | |
dc.creator | Codevilla, Fernando Franco | |
dc.date.accessioned | 2012-02-14 | |
dc.date.available | 2012-02-14 | |
dc.date.created | 2012-02-14 | |
dc.date.issued | 2011-03-31 | |
dc.identifier | CODEVILLA, Fernando Franco. VÍDEO + PERFORMANCE: PROCESSOS COM O AUDIOVISUAL EM TEMPO REAL. 2011. 139 f. Dissertação (Mestrado em Artes) - Universidade Federal de Santa Maria, Santa Maria, 2011. | |
dc.identifier | http://repositorio.ufsm.br/handle/1/5203 | |
dc.description.abstract | This work presents a research in visual arts, specifically in the art technology
field. Based in a poetic research which involves audiovisual with computational
technology, we focus in experiences of audio and video manipulated in real time. To
do that, we start with a historic briefing about the context in the beginning of videoart
delimiting the research with experiences realized by brazilian artists. In parallel with
the study about video, we discuss computer based artistic productions and their
relation with videoartists towards to the concept of expanded cinema, which is
important to audiovisual studies with digital technology. Moreover, the focus on video
and computational resources introduces aspects related to performance art and more
specifically, to the VJ pratice. Then we relate the actual concept in contemporary art
which defends the notion of pos-production artist. Therefore, in this dissertation , we
present five works of the present author: Projeções de Nós mesmos, Maquínica,
Todo dia, Antropaisagem and Fluxo, which are the base for the discussion in this
research. Hence, using these works we discuss the notion of autorship and improvise
in the esthetic experimentations, and besides we treat some aspects about the
temporality and the concept of sinestesia in art. | |
dc.publisher | Universidade Federal de Santa Maria | |
dc.publisher | BR | |
dc.publisher | Artes | |
dc.publisher | UFSM | |
dc.publisher | Programa de Pós-Graduação em Artes Visuais | |
dc.rights | Acesso Aberto | |
dc.subject | Performance | |
dc.subject | Sinestesia | |
dc.subject | Tecnologia | |
dc.subject | Vídeo | |
dc.subject | Performance | |
dc.subject | Synaesthesis | |
dc.subject | Technology | |
dc.subject | Video | |
dc.title | Vídeo + performance: processos com o audiovisual em tempo real | |
dc.type | Dissertação | |