dc.contributor | Ronsini, Veneza Mayora | |
dc.contributor | http://lattes.cnpq.br/0158036614584571 | |
dc.contributor | Almeida, Heloisa Buarque de | |
dc.contributor | http://lattes.cnpq.br/6266708108766748 | |
dc.contributor | Brignol, Liliane Dutra | |
dc.contributor | http://lattes.cnpq.br/5983909606938283 | |
dc.contributor | Pieniz, Monica | |
dc.contributor | http://lattes.cnpq.br/8523150378722263 | |
dc.contributor | Silveira, Verli Fátima Petri da | |
dc.contributor | http://lattes.cnpq.br/4907455690392249 | |
dc.creator | Depexe, Sandra Dalcul | |
dc.date.accessioned | 2016-04-29 | |
dc.date.available | 2016-04-29 | |
dc.date.created | 2016-04-29 | |
dc.date.issued | 2015-05-19 | |
dc.identifier | DEPEXE, Sandra Dalcul. DISTINCTION IN 140 CHARACTERS:
SOCIAL CLASS, TELENOVELA AND TWITTER. 2015. 235 f. Tese (Doutorado em Comunicação) - Universidade Federal de Santa Maria, Sandra Maria, 2015. | |
dc.identifier | http://repositorio.ufsm.br/handle/1/3432 | |
dc.description.abstract | This thesis has the overall goal of exploring the circulation and consumption of the telenovela
Salve Jorge (Rede Globo, 2012/2013) on Twitter to understand the phenomenon of TVInternet
simultaneous consumption and the functioning of the word periguete in
communication and class distinction. The specific objectives include: a) examine the real
conditions, on Twitter, in which they develop the circulation and consumption practices in the
context of media convergence; b) identify in the circulation of Salve Jorge the multiple forms
of interactivity and participation of the subjects; c) understand how the social classes shapes
the way-subject periguete , from the empirical indicators like as clothing, personal
relationships and the way of life of the characters of Salve Jorge read as part of the circulation
and consumption based on comments on Twitter. Therefore, we articulate the Pêcheux s
speech analysis, Bourdieu s sociology and Latin American reception/consumption studies. We
used methods and techniques coming from Social Network Analysis (SNA) and social media
monitoring and operationalized through computer assisted qualitative analysis (CAQDAS -
Computer Aided Qualitative Data Analisys Softwares). In our concerns stand out the speeches
- from the telenovela and from the audience - that differentiate the female characters
according to the social class they represent. To perform the analysis, we selected three
trajectories of characters from Salve Jorge and seek them to describe how the tweets were
constructed, indicating the evidences that pointed us to the forms-subjects that determine
women as periguete . Disconnected from marriage and motherhood, these characters are
fleeing from an traditional woman construction and approache of contemporary female
models. As a result, form-subject periguete functions as a subject position, whose senses are
dynamic, but refer to women s freedom with her body, like in the way they dresses and make
beauty treatments, either in the exercise of their sexuality. The dynamic of these senses is for
judgment/acceptance of popular class women and reproof/freedom of upper classes women,
in what regards to the uses of their bodies. | |
dc.publisher | Universidade Federal de Santa Maria | |
dc.publisher | BR | |
dc.publisher | Comunicação | |
dc.publisher | UFSM | |
dc.publisher | Programa de Pós-Graduação em Comunicação | |
dc.rights | Acesso Aberto | |
dc.subject | Circulação e consumo | |
dc.subject | Classe social | |
dc.subject | Telenovela | |
dc.subject | Análise de discurso | |
dc.subject | Twitter | |
dc.subject | Circulation and consumption | |
dc.subject | Social class | |
dc.subject | Telenovela | |
dc.subject | Discourse analysis | |
dc.subject | Twitter | |
dc.title | Distinção em 140 caracteres: classe social, telenovela e twitter | |
dc.type | Tese | |