dc.contributor | Universidade Estadual Paulista (Unesp) | |
dc.contributor | Centro Universitário SENAC | |
dc.date.accessioned | 2018-12-11T17:34:39Z | |
dc.date.available | 2018-12-11T17:34:39Z | |
dc.date.created | 2018-12-11T17:34:39Z | |
dc.date.issued | 2017-09-06 | |
dc.identifier | ACM International Conference Proceeding Series, v. Part F130947, p. 119-125. | |
dc.identifier | http://hdl.handle.net/11449/179308 | |
dc.identifier | 10.1145/3106548.3106594 | |
dc.identifier | 2-s2.0-85032499479 | |
dc.description.abstract | This article presents reflections on the production and use of audience energy body in interactive installations. Mechanisms and symbolic-narrative meanings of the hand touch as well as the possibility of using the heat of the body as a poetic element and energy source in the work Toque are considered. | |
dc.language | eng | |
dc.relation | ACM International Conference Proceeding Series | |
dc.rights | Acesso aberto | |
dc.source | Scopus | |
dc.subject | Alternative Energy | |
dc.subject | Interactive Art | |
dc.subject | Touch | |
dc.title | Interactive art and the production of energy from the audience | |
dc.type | Actas de congresos | |