Artículos de revistas
Estética em revolução
Fecha
2012Registro en:
Proceedings of World Congress on Communication and Arts, v. 5, n. 1, p. 186-190, 2012.
2317-1707
ISSN2317-1707-2012-05-01-186-190.pdf
8366957824003030
2885006257077847
2209143767198382
4310738314179496
0000-0003-0086-643X
Autor
Universidade Estadual Paulista (Unesp)
Universidade Estadual de Maringá (UEM)
Institución
Resumen
The difficulty lies in dealing with the texts of Almada Negreiros focuses on language, search for expression. Saramago, in his texts of various kinds, "Manual of Painting and Calligraphy" and "The world's largest flower," suffers by seeking representative languages. Which one is less difficult, less traumatic, painting or writing? In conclusion, the two are so much paint as painful to write. Compare them to the knife ripping a sheet of paper. Almada entangled in them all as a poet, novelist, painter, designer, playwright. Through them, we sought from "Before You Begin" to "Getting Started", always be in alpha. The text that follows is entitled Aesthetics in Revolution, it may cover the surrounding poetic Alma.